A debt is owed.
Del Kanadis–indentured thief to the King of Fires–desires freedom above all else. When given the opportunity to repay his debt with a single job, he begrudgingly accepts, believing it to be a fool’s errand. His task: infiltrate a secluded village rumoured to hold a relic capable of defeating the Fire King’s enemies.
Living amongst the townsfolk and gaining the trust of those in charge, Del quickly discovers they know more than they’re letting on, and that perhaps the relic truly does exist. Upon discovering their ultimate secret, he realizes winning his own life back could come at the cost of everyone else losing theirs.
Welcome John Ryers!
Please tell us your name and a little bit about yourself:
My name is John Ryers and I write predominantly dark fantasy. I have written a few short stories in YA and Sci-Fi genres as well. I live in Ontario, Canada with my wife and twin daughters, and work as a graphic designer to pay the bills.
Where can we find you on the social media:
If you have been published, did you self-publish or use traditional publishing?
The Glass Thief will be self-published. I see advantages on both sides of the coin regarding traditional or self-publishing, but opted for self-publishing in order to control my rights, cover art, interior design and marketing strategies. As a self-publisher, I can decide the when and where of how I promote my books and that sense of control is very important to me.
How old were you when you started writing? When did you know you wanted to be an author?
I knew I wanted to be a writer from a very young age. I wrote my first story at aged six (complete with amazing (not really) crayon illustrations). It was about my hamster and his inevitable death, and so I’m entirely surprised my favourite genre to write is dark fantasy.
What would you say motivates you to keep writing?
I need to tell my stories. I have to get them out of my head and onto a page. There are some I never show to anyone but myself, and some I feel have a message others might gain something from. It’s this creative form of communication that keeps me going and gets me through the days when the words are difficult to get out.
Who are some of your favorite authors?
My favourite author is John Green. It’s his style of writing that I felt a connection to and his books helped me find my own narrative voice. For a while I was floundering with a lack of style and voice and it was through reading his novel A Fault In Our Stars that everything seemed to click for me, despite him not writing anything remotely close to dark fantasy.
What is your novel’s genre? Would you say there is a sub-genre? What makes yours different than other books in the same genre?
My genre is Dark Fantasy, and I’ve been told I could classify it under the sub-genre of Heist/Swashbuckling Fantasy. I think my narrative style makes it a little different than the usual dark fantasy tales. It is set in the middle ages but I use anachronistic language that borders on contemporary, and I also implement technology that didn’t exist during that time period such as magical firearms and a steam-powered suit of armour in one particular scene.
What inspired the current or most recent story you’ve completed?
I think I pulled the inspiration for The Glass Thief from my own past, in that, I was a very different person a decade ago than I am today. A lesser person so to speak. The Glass Thief is a story about betrayal and redemption, and I wanted to write a story that showed no matter what your past entailed, you always have the power to set things right, if you truly want to.
Do you want to tell us a little bit about your story?
The Glass Thief is the story of Del Kanadis, a thief who’s made a name for himself stealing elemental glass throughout his realm, but who owes a heavy debt to the King of Fires. The King of Fires is fighting his own war and requires a certain relic to defeat his enemies. He tasks Del to infiltrate the village where they believe the relic hides, and steal it. So the meat of the story is essentially Del gaining the trust of the villages to find the relic, and then royally screw them over by stealing it.
How long does it take you to write a full manuscript?
Too long. [laughs even though you can’t hear it]. The Glass Thief took me 4 years to write from concept to clicking Publish. The second book in the trilogy will go a lot faster because I know my character and their world better now, and I have a valid starting point to jump off from. I predict less than 2 years for book two.
Do you give yourself a word limit for each day or a time limit to finish your novel? If so, please elaborate.
I don’t give myself any time limits. As writers, we struggle enough with self-doubt and motivation that I feel it’s borderline cruel to impose limits like that on ourselves. I suppose a self-imposed deadline does help some, but for me, a missed deadline is something I don’t want to deal with mentally.
How do you come up with your character names and geographic location / business names?
I use simple names, despite writing fantasy. Single or double syllables put together for a pleasing rhythm when it rolls off the tongue. I love writing Fantasy but I also want it as accessible as possible to people who shy away from that genre. I’d love for more people to read Fantasy and so I want to make it easy on them if they decide to try it with my book.
What is the quirkiest thing you do or have ever done when writing?
I’m a writer, when am I NOT quirky?
AN EXCERPT FROM THE GLASS THIEF
If you could describe Uri’s home with a few words, it’d be sterile, bare and spartan. Almost militant. It reminded Del of the early days, back when he’d steal glass from the barracks and keeps of human kingdoms before the Glass Wars diminished their numbers and put the faen into power.
Nothing was out of place here. His clothes were organized into two sections: patrol Uri and magistrate Uri. Light armour and leather on the left and garish robes and ceremonial trinkets on the right. No Glass Crown.
A mouse would be hard-pressed to find a crumb of food in the kitchen. The floors were scrubbed, the table clean and polished, and the scent of citrus lingered in the air. No Glass Crown.
Upstairs was, as expected, equally tidy. Saria’s bedroom would seem chaotic compared to the order of Uri’s, and all she had was a bed and a book of poems. The sheets were pressed and fitted tight around a bed that’d hold no more than a single person. If Uri had anything going on with Renny, it sure as hell wasn’t going on here. Perhaps they rolled around on the floured floor of her bakery. An image both amusing and disturbing. No Glass Crown.
Del returned to the kitchen and grabbed a glass along with the bottle of wine beside it. He pulled the cork out with his teeth, spit it onto the floor and filled the glass, putting his feet up on the table. A small consolation for a fruitless search, but a deserved one nonetheless. He had after all saved Uri’s life. Continue reading…
John is a graphic designer by day, and graphic designer by night (depending on the client), but most importantly, he’s a writer at heart. His dreams include writing for a living, experiencing virtual reality on a Matrix-esque level, and flying unaided (or possibly via really sweet jetpack).
John writes all genres but prefers Dark Fantasy over most anything else. This is due in part to the fact that he likes it the best, and because it’s awesome.
John prefers blue cheese over cheddar, cats over dogs, and will attempt to answer any question with sarcasm whether appropriate or not.
He completed his first novel The Glass Thief in 2017 and you should buy it. Or don’t. He’s not the boss of you.